Michael hall dating
He shows me these sequences of squiggles, and they are beautiful. He may auction them off, he said, calling them “scribbled pictures of scribbled feelings.” The drawings are inspired by two photographs: Diane Arbus’ 1962 photograph of a boy with a toy hand grenade in Central Park, and Malcolm Browne’s 1963 Associated Press photographs of Vietnamese Mahayana Buddhist monk Thích Quang Duc, who burned himself to death in Saigon.Hall said, “There’s something about both of those pictures that represents maybe where I imagine Thom at the beginning of the story and at the end, which is a place of such equanimity where you could set him on fire and he’d be OK.“The next thing I know there’s an announcement on the internet saying ‘he’s going to do it again.’ The way that show ended gave no sense of closure for people and a lot of questions unanswered. I stand by how that 8th season ended.”For Hall, the tragedy of Dexter is that “if he had kept on killing people he’d have been fine, but he gets married, he opens his imagination and heart.He seems to be in this self-imposed exile, he certainly didn’t ride off into the sunset. He has a real connection to people, and all those people are compromised or destroyed in some way.
“I was just waiting to have enough distance between the external and internal impediments in admitting what I wanted to do and then announced it to myself.”His mother was nervous, though comforted herself that with a masters degree in acting he “could teach in a theater department somewhere.” She was never a stage mom, Hall said, and while she expressed her concerns about his ability to make a living as an actor, she allowed Hall’s enthusiasm to belong to him.
Hall’s anonymity in an Upper West Side cafe is guaranteed thanks to a baseball cap inscribed with a rainbow atop Brian Eno’s name.
The actor lives nearby with his third wife, Morgan Macgregor, and their black long-haired dachshund Salamander.
Handsome, charming, and eloquent, and with a light beard of reddish-gray stubble, Hall will talk about death, both as a shadow in his own life and in the roles that have made him famous.
Having played one of television’s most radical and remembered gay characters, he will talk about "leaning in" to his own "fluid" sexuality, and the vexed cultural politics around the roles available for openly gay and trans actors and straight actors playing gay and trans roles.
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We think we are meeting a man, who may or not be called Thom Pain, in a rented space that may be transitioning from one theatrical performance to another.